FAQs
If you're new to oil pastel brushes in Procreate, Vol. 1 is the better starting point. Nine brushes is enough to understand how the medium behaves digitally without overwhelming your workflow. If you're already comfortable with natural media brushes in Procreate and know you want a full professional toolkit from day one, Vol. 2 gives you that range immediately. The two sets are also complementary — Vol. 1's core brushes and Vol. 2's expanded options work well together.
For most oil pastel illustration work, yes — the 9 brushes cover the full range of what the medium actually does. You get your workhorse brush in the Go-To, smooth blending in the Softy, hard edges in the Hard One, multiple paper texture options, and the Texture Builder and Rich Belly for color variation. Where you'd outgrow it is if you want more expressive mark-making variety, more blending tools, or specialty finishing brushes — that's when Vol. 2's 31-brush set becomes the better fit.
It means the brushes respond to pressure in a way that feels natural rather than reactive. Some brushes are so pressure sensitive that a slight variation completely changes the stroke, which makes them hard to control. These were tuned so light pressure gives you lighter, more transparent marks and heavy pressure gives you fuller coverage — but the transition is gradual enough that you stay in control. It behaves the way a real oil pastel does when you vary how hard you press.
Most brushes in the set have a consistent texture throughout the stroke. The Texture Builder and Rich Belly are different — both automatically vary in color within each stroke, mimicking the way real oil pastel sticks are never perfectly uniform in pigment. The Texture Builder varies color across the stroke, building natural tonal depth in a single pass. The Rich Belly shifts color inside the stroke itself. Both add the kind of complexity that makes a mark look like it came from real media rather than a digital tool.
You can blend between colors. The Softy brush in particular is designed for smooth transitions — work a second color into the edge of the first and it blends naturally with repeated strokes. The Go-To also blends reasonably well for a workhorse brush. The key is working on the same layer and using light pressure on the overlapping area, the same technique you'd use with real oil pastels to push colors into each other.